Another of the castle's doors, topped by a bell tower and sundial that still survives. It was enlarged in the Manueline period and the connection to Porta do Sol or Ravessa is via Rua do Castelo.

Although the primitive temple already existed in 1380, the current church would only be ready in 1587, after work began in 1572. In the 18th century it was restored. In it, you can see 18th century tiles, representing the mysteries of Christ and Our Lady, six side chapels with statuary value. On the main altar is the altarpiece of Our Lady of the Annunciation.

Castle built by King Dinis in the 14th century, possibly on previous fortification. It has an oval fence with six turrets, two towers and two gates. Currently, retains primitive walls parts, the doors of Ravessa and of Relógio, and remains of the city hall, with ogival slots. The Bell Tower was built in the reign of King João II and was the residence of the Earls Borba-Redondo.

Garden identified by its magnificent white marble fountain, decorated with swans. The predominant tone of this space is green, which you can enjoy sitting on one of the many benches spread around.

Place where you can learn about the several stages and technologies used in wine production, such as agricultural instruments, images and texts, in addition to ceramic material, as this is also a production center.

Built in the 20th century, this old prison was used to serve a prison sentence of up to 3 months, which involved intimidation and continuous isolation in a cell, except for prisoners who adopted good behavior. It currently houses municipal services.

Construction built in the 15th century, its current appearance underwent changes in the 16th and 18th centuries. Noteworthy are the baroque fountain, called Mãe d'Água, the toilet house (De Profundis), the refectory, the ground floor of the south wing of the cloister, and the room for the Elections of the General Fathers, a decorative fountain and the gardens surroundings.

Work ordered to be built by King Afonso V, almost at the end of his reign. It is assumed that it was completed in 1481, as this was a work that was extremely contested by the people, given the determination of a collection applied to Évora's wines. However, the work was completed during the reign of D. Manuel II, as can be seen in the vault on the second floor.