Em Alcobaça utiliza-se os barros brancos da região. As peças apresentam, por vezes, reproduções das antigas faianças portuguesas. Cores utilizadas: azul, verde, amarelo e roxo. A louça mais tradicional tem fundo branco e decoração a azul. Em Vestiande e em Alcobaça ainda se executam peças de cerâmica e azulejo mantendo o fabrico tradicional.

With a privileged location, in the so-called Blue Lake, in Castelo de Bode Reservoir, Lake apartments offer a unique opportunity to enjoy the tranquility. Each apartment is approximately 110 square meters, with large balconies facing the Lake and the mountains. With fully equipped kitchens, TV, two bathrooms and decoration with wooden finishes to the neoclassical style, were designed to make you feel at home within the nature of a special form and inviting.

Localizado no centro histórico do Funchal, este sofisticado hotel resulta da reabilitação de seis edifícios do século XVII. Com uma decoração inspirada no artesanato da ilha, que enaltece o património cultural da Madeira, oferece 111 elegantes quartos, dois restaurantes, dois bares e um maravilhoso rooftop onde se localiza a piscina e um dos bares.

This rural hotel is part of a beautiful forest landscape, just a short distance away from the parish of Castelo de Paiva. Remodelled in 2004, it has very well equipped rooms with balconies, so that you can enjoy the landscape! It has beautiful gardens, a swimming pool and a restaurant with typical dishes of the region among other services of great quality. It has an adventure park for radical sports, including climbing, paintball and rappel.

House situated in the village of Aljubarrota, an area of great historical interest, and enriched by its cultural and tourist itineraries, with the monasteries of Alcobaça and Batalha and Óbidos Medieval village within walking distance, the beaches of Nazaré and São Martinho do Porto, or the serras de Aire e Candeeiros. The House owes its name to the Baker who, according to legend, killed the seven Spaniards fugitives from the battle of Aljubarrota, oven with a shovel.

With a great architectonical simplicity, the Almas chapel dates from the beginning of the XVIII, and was repaired and enlarged in 1801. In 1929, the façades were covered with azulejos, by Eduardo Leite, representing the life of São Francisco de Assis and of Santa Catarina. The main façade presents a glass window by the painter Amândio Silva. Inside, the panel painted by Joaquim Rafael, representing the Lord’s Ascension and the image of Nossa Senhora das Almas stand out.

Founded in 1540, this convent features of various eras. In this monument are the main façade, the taste, the filipino side, with its three-story portico, (being the last Baroque, with pediment crowned by the Royal shield). A special attention to the balcony of Kings, five arches Gallery to the left side of the portico, the two cloisters and the interior, with three naves, with all its decoration. Currently, works here the Municipal Museum Amadeo de Souza-Cardoso.

Building designed by engineer Adriano da Silva Monteiro (1846-1925), with neoclassical traits, of remarkable Italian theatrical architecture, having been opened in 1892. In the living room of spectacle stands out the ceiling, by António Ramalho, with an allegory alluding to the themes of tragedy and comedy, where, among other things, is part of the name of Garcia de Resende. In addition to work as show room, it also has a school of theatrical training.

Melgaço Castle currently consists of an imposing keep - with three floors, a parapet protruding over corbels, crowned by pyramidal merlons and with a hipped tile roof - and the surrounding walled enclosure, in a good state of conservation. It is believed that it may have had 3 towers and two doors, according to Duarte de Armas in his “Livro das Fortalezas” (Book of Fortresses) from 1509. The current tower houses the Melgaço Keep Tower Museum.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.