18th century church with altarpieces of gilt and polychrome neoclassicals.

Baroque church decorated according to the typology of churches lined with gold. Inside there's plenty of gilt.

Iron bridge, with Board plan, metallic, five sections marked by double arches, based on four pillars.

Fountain with small round Lake and with four cocks.

Church of mannerist architecture late-Baroque and neoclassical, with nave and chancel, with wooden ceilings. Features inside chorus-high built-in on the wall, confessionals, pulpit in the Gospel side, lateral revivalist retabulares structures, neoclassical side altarpieces and altarpiece-mor late Baroque.

18th century church with Bell Tower located near laterally. The interior features carved altarpieces painted and gilded.

Baroque church with the present interior altarpieces of late neoclassical style. The imaginary is recent production, with the exception of the Baroque image of our Lady of the Rosary.

Baroque chapel with main façade marked by broad range from perfect round. Is within a typology of chapels associated with the Calvary and the passion of Christ, with similar examples in the chapel of the bridge in Mondim de Basto, among others. The main altarpiece is vernacular.

Baroque chapel of rectangular plant. Construction of simple lines with an emphasis on the portal of the facade pedimented of volutes interrupted, surmounted by pinnacles soaked and protruding Crown. This presents as ornaments the instruments of Passion.

Church with late-Baroque revival architecture consisting of nave and chancel, vestry is located near the front left side. Has, inside, chorus-alto, two confessionals, pulpit muraria box embedded in the Gospel side, two side altarpieces and altarpiece-mor neobarrocos revivalists, polychrome and gilded carvings.