Rustic house and picturesque, with Baroque elements. Highlight to the window that has beautiful elements.

The main façade is the gate surmounted by the coats-of-arms of Sotomaiores heirs and Valencia. In the private chapel in honor of our Lady of Prayer, there is a shrine of talha and some 18th-century reliquaries.

Rectangular Baroque Manor composed of various bodies. Despite strong Baroque characteristics, preserves elements of the 17 century, as is the case of balconies.

XVII century manor, with a U drawing, formed by three bodies, including, in one of them a chapel, and surrounded by a yard with a battlemented wall. It has baroque decorative elements and the doorway shows the arms of the Pacheco Pereira and Robys.

Watermill of granite, single copy of hydraulic mill which subsists from the set that existed at the site. Is docked on the river bank, with three floors. Inside, it has a vertical wheel in wood, right next to the water.

It’s a XVII century construction that combines the baroque and neoclassical styles. For a long time this was the main entrance to the city. On the upper part there is a feminine figure symbolizing the city of Braga.

Built in 1715, by the spot where the medieval wall used to be, it had the castle behind, whose donjorl was preserved. In front of the arcade was the Campo de Santa Ana, ordered by D. Diogo de Sousa in the XVI century. Between 1761 and 1767, at the time of the archbishop D. Gaspar de Bragança, the central nucleus of the arcade was opened and the Igreja da Lapa (church), with an André Soares drawing, was built.

This street, the more medieval, was one of the first to be opened in Guimaraes, to make the connection between the convent founded by Mumadona and the Castle. Of great architectural value, scroll through it we can appreciate the convent of Santa Clara, the Arc's House, the Casa dos Peixotos region and the Gothic House of Valadares, among others.