All that remains of the old fortress is the Torre da Cadeia, made of stone, quadrangular in shape, with granite corners, without battlements and small sections of wall. All that remains of the castle are two turrets and former military installations. This area is surrounded by the Bastion of the Castle, with the curtain and moat being visible, the Bastion of Porta de Elvas, the Bastion of Santo António, the Bastion of Espírito Santo, the remains of the Clérigos Bastion and the remains of the middle Bastion of Nossa Senhora da Luz. The fortress was built during the reign of …

Church of Mannerist and Baroque architecture, built between 1672 and 1681. It consists of a single nave covered with a barrel vault and a chancel covered with a painted coffered vault.

This temple stands out for its primitive galilee, typically Franciscan, with three arches, the low-relief pediment of the main door and the frescoes from the 18th and 19th centuries.

Rococo architecture building dating from the mid-18th century. It is made up of rectangles joined together forming a T, with the main facade having a protruding central body with a staircase.

Space consisting of a reading area, a children's section and a section with audio, video and internet resources.

The Frente Ribeirinha de Arrepiado is a calm and pleasant space, located on the banks of the Tagus River. Here you can enjoy fantastic panoramic views, in a prime location in the region.

Baroque pilgrimage chapel, built between 1946 and 1949. It consists of a staircase with an access ramp and a station of the cross. The chapel itself consists of a nave, a chancel, a sacristy and some annexes.

Mannerist church opened in 1629, belonging to the Brotherhood of Nossa Senhora da Misericórdia. It consists of a nave, a chancel and two bell towers. Inside, highlights are some images by French sculptor Claude Laprade.

Building dating from the 19th century and consisting of two floors with a simple rectangular plan. On the facade, emphasis is placed on the open balcony running at the level of the main floor and, on the interior, emphasis is placed on the staircase and the trimming of the openings.

Late-Baroque religious monument, comprising a nave, chancel, sacristy, bell tower and 17th century chapel. The bell tower and the finishes on the main facade are made of granite and, in the center, is the clock. The interior preserves a remarkable collection that it consecrates: the painting on the chancel ceiling, with the patron saint being tortured, and the Morgado chapel, where there is a Mannerist altarpiece.