The building features a very frequent typology in Alentejo since the late middle ages and that was frequently taken up in small churches and chapels of the Baroque era. Highlight for the elaborate decoration of its facade in mortar, saving even the gilded and polychrome altarpiece and murals in the vault of the chancel.

Medium-sized Chapel, with Gothic features, with mudéjar influence. Stand out from the foothills of circular cross-section, pyramidal spires, bevelled crenellations shot in the chancel. Inwardly is rib vaulted with warheads.

This is a good example of the transition of stylistic forms of Gothic and Mudejar for the Manueline in the framework of civil architecture.

What stands out in this temple is the darkness of its interior. Church with four distinct bodies, the porch, the vaults, the nave and the chancel. Features beautiful paintings and unmatched wealth of iconographic and decorative.

This Manueline era building stands the Tower crowned by Merlons, a reminiscence of military architecture. It should be noted, though, the abundant use of pilasters in the corners topped by pinnacles.

This beautiful manor house has a central courtyard involved by galleries. It stands out in the access to the courtyard through an ogival chamfered arch in stone, the Duke de Cadaval Coat of Arms in glazed tiles and a sundial. The gate is in stonework, with straight lintel, framed by a lancet arch supported by corbels and crowned on the centre with Duke de Cadaval Coat of Arms. On its decorative elements it displays the Mudejar influence in design and technique conjugating with the Manueline. Decorating the building there are twin brick windows filled with decorative elements.

It has a cylindrical shaft, flat and without abutment. It is settled on a three steps base.