Este espaço dispõe de 4 campos panorâmicos, espaços de convívio e exposições.

Biblioteca com um espólio de 26 000 documentos (monografias, cd’s, dvd’s e periódicos) podendo os mesmos ser consultados localmente ou através da Base de Dados Documental.

Set of two outdoor pools and 2 indoor pools.

Small wooden windmill, located in a high area and depopulated.

Edifício datado de 1974, com a fachada principal de composição escalonada. O alpendre com as colunas toscanas, que lhe dão o nome, já não existe, apenas subsistindo dois arcos, no registo inferior. Foi reabilitada, albergando atualmente o Posto de Turismo.

The PO.RO.S -Roman Museum of at Sicó presents the theme of Romanization, paying particular attention to its influence in the region of Sicó, through an interactive experience that focuses on the museum collection of Condeixa county and quality content produced by the best specialists in presence in Portugal. In addition, a contemporary museography supported by state-of-the-art technological systems transports us for a journey back in time to the Romans.

This is an 18th century palace with the façade delimited by two small towers and an entrance overcome by a pediment rising above the cornice. To stress the openings, the forged iron, the stonework and the chapel. The central body finishes in triangle with Coat of Arms and the rest of the façade presents simple rectangular openings on the ground floor and bay windows on the noble floor.

This is a sixteen hundreds palace displayed in three bodies, in which the central body gives access to a yard with stairs leading to a balcony. It possesses a noble and symmetric façade with six bays in each lateral body.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.

This place results from the falling of the hill's central part while only the extreme lateral parts remain visible. Those parts have holes that are vestiges of the cave that once existed there.