The church underwent several improvements. From the fifteen hundreds primitive outline e from the manueline reform it only remains two apse chapels from the transept and traces from the primitive polygonal apse. On the inside it has a nave covered with a tunnel vault, the first of the seven original ranks is occupied by the high choir, lifted by an arch and Ionic pilasters, balustrade convoluted in ringlets effects. Presently it is occupied by a modern tourist property.

Um complexo constituído por uma cuba de saltos com pranchas, uma piscina olímpica, uma piscina de aprendizagem, dois tanques para bébés, uma piscina coberta e um polidesportivo.

This Roman villa is located on a small elevation, along the ribeira de Valverde, 12 kilometers from Evora. There was the former municipal headquarters, Liberalitas Ebora Iulia. To the East of the building there is a large tank whose main function would be to supply water storage tanks of the baths.

One of the symbols of Évora, the Capela dos Ossos lies in the interior of the Church of San Francisco and was built in the 17th century. The walls lined with bones and skulls-estimated at 5000-intend to convey the message of the transience of life.

Cromlech megalithic architecture characteristic of region of Évora. Consists of two sets of menhirs arranged in concentric circles. Are classified as Property in the public interest.

The fountain, a work of the architect Afonso Álvares, was built in the XVI century. It is made of white marble ending with a crown of bronze and eight ajutages. The tradition says these eight ajutages correspond to the eight streets that end in the square.

This is a renaissance work, planned by Fransico de Arruda. It is a granite aqueduct, with a tower baring the image of a saint standing out.

The Roman temple of Diana is the ex-libris of the city of Évora. It has 14 granite columns, with the bases and capitals made of Estremoz marble.

Stone arch that corresponds to one of the doors of the roman city of Évora.

16th century convent which preserves the two-storey cloister rectangular plant. The Church, designed by Afonso Álvares, is a single nave covered with tiles. Are to point out a burial headstone and a 16th century sculpture representing St. Bacchus.