The original Romanic temple founded in the middle on the 13th century suffered deep changes on the 18th century that granted it the present aspect. There is a rectangular deep main chapel where crossed there are the lateral chapel and the sacristy. It stands out the carved altarpiece with two niches sided by two Solomonic columns framing the throne.
This bridge is from whether the16th century whether the beginning of the 17th century, the heir from a primitive mediaeval bridge. It has three irregular round arches.
Church of longitudinal plan with nave, chancel, vestry and Bell Tower. You can spot her across the Roman bridge of Ponte de Lima, a moment of great beauty.
It still conserves some traces from the Romanic, even though it underwent several works. The inner decoration is essentially Baroque standing out the altarpiece on the main chapel in Joanine style, the triumphal arch paintings and the collateral altars in neoclassic carving.
This building is composed by one only nave and rectangular main chapel flanked by 2 chapels. The square bell tower presents two levels in which the superior one has only 2 walls with bell ringers crowned by pinnacles on the corners. On the south façade there is a doorway with arch, archivolts above the right foot and flat tympanum, two openings and windows. It preserves Romanic elements from the second half of the 13th century.
Temple dated back to the 14th century, with Roman-Gothic style. Possibly was related with the river traffic, functioning as temporary shelter. It is a quadrangular chapel with wall edge closed and the remaining walls open, in broken bow. On the edge is an image of Saint Michael.
