Civil bell tower. This bell was given by Vasco da Gama and is one of the few works with the arms of the Admiral of India.

This is a fine example of the architecture of the Third Orders of San Francisco buildings. Its exterior is strongly marked by the richness of the decoration in relief in grout.

Also known as ruins of Santiago, it was initially a Roman villa with origins from the 1st century, altered in the first half of the 2nd century and destroyed in the 4th century, to make way for the building visible today. In the Middle Ages it was the Convent of the Military Order of Santiago, having been abandoned in the 16th century. The central body is framed by two symmetrical turrets that give it great monumentality.

Dr. José Valentim Fialho de Almeida, novelist and pamphleteer, was born in this house on May 7, 1857. Fialho de Almeida, in addition to being an illustrious critic, was also the strongest and most original prose writer of his generation. He passed away on March 4, 1911. Two tombstones were placed in this house in memory of Fialho de Almeida: the first on August 1, 1926 and the second on May 7, 1957.

Roman fortification, rebuilt by the Moors and transformed into a medieval castle. Completely destroyed by the Christian Reconquest, it was rebuilt in 1439 by the House of Bragança. Later, the Paço dos Gamas was built here, of which only a few ruins and the clock tower survive.

Late-Mannerist Church of a longitudinal plan. To highlight, on the inside, the set of tiles in the chancel. It was built in the 17th century and, as has been the subject of successive reforms, features elements of various epochs: Mannerist, Baroque, Rococo, popular and vernacular.

Church of impressive dimensions with emphasis on the altarpiece of the main Chapel, one of the most important in the Alentejo.

The Chiesa Madre (mother church) of Selmes has harmonic facade. In the year 1755 the church building suffered various damages, including the frontispiece and vault of the choir, caused by the earthquake of November 1.

Church with austere structure, so typical of the region.

This church stands out the ornamental elements as figurative panels of tiling, one signed by António Pereira, others assigned to this master and Gabriel del Barco. Note also the gilded altarpieces of the chancel.