It is a XVII century construction with one of the most interesting fronts of the Iberia. Inside the building, there a glazed tiles’ collection describing monuments of the city long lost.

18th century rectangular plant building with a courtyard in the Center, that's always worked as City Hall, but was having successive enlargements and renovations. In the old facades are visible overlapping spans, arc down and, in the latest facades, is visible a single rectilinear will without decoration.

In this building, the 17th century two-storey cloister, with carved panels with paintings and painted ceilings. The classification covers the century part, including the Church, the sacristy and the remains of the initial construction of the former convent of Capuchin Friars.

Church 19th century neoclassical architecture, consisting of a church flanked by two rectangular buildings, with Bell Tower located near. Inside the Church the 19th century pattern tile coating and for the choir-high profile clipped with wooden balustrade. Currently, the buildings annexed to the Church is the famous café Vianna and a bank.

Large vestibule with mosaic pavement, paintings on the ceiling and tile flooring. The walls are lined by an ashlar, tiles, polychrome and geometric, and descriptive panels of local life.

Building constructed in the early 20th century, composed of five bodies, finding themselves the central highlighted. Presents a regular and symmetrical plan, with features of civil architecture.

Good Art Nouveau building (end of 19th century. 19TH\/early 20th century. XX).

Movie theater of longitudinal plant with emphasis on the main façade's central cloth, slightly advanced and in appliance rusticated.

The Theatre Club was sent to build in 1904 by António Lopes, designed by the Architect Moura Coutinho. The architectural style takes on particular relevance in Portugal through the decoration of facades, with emphasis on the use of tile. Inside, highlight to the room of spectacles profusely decorated with paintings in the entire length of the roof and wall involving the Downstage.

Three-story building with rectangular plant, two rebounds, balustrades and balconies carved Corbels. In 1985\/87 underwent rehabilitation works by the architect Fernando Távora.