Is a temple of three naves with wooden cover to form cross with the ribs painted, separated by arches full on pillars of quadrangular section. The choir-high is about pilasters, with wooden balusters and subcoro painted with representation of hell, celestial Court and others. Enhancement for the altarpiece in talha, from 1719. It should be noted that the classification includes all elements that are part of the set of sanctuary of pilgrimage and the place in which they deploy.

The current aspect of the Church is the result of the reconstruction of 1744. The Chapel, built in 1638, possesses stone vault in caissons. Notice the altarpiece, frontal of the altar and paintings represented the Miracle of the multiplication of the loaves.

The Igreja da Lapa is located in the high part of the historic centre. Completed in 1763, stands by the altarpiece in Rococo style.

Pillory of quadrangular base.

This “spindle” pillory is inserted in the Revivalist period and it is done in granite and iron. It is crowned by volutes topped by armillary sphere and the Cross from Order of Christ.

This is a Lordly pillory composed by a Roman Milestone.

António Feijó was a Portuguese poet and diplomat born in Ponte de Lima, in 1859.

Type source backrest with an architecture reminding the Estado Novo. With a spout of granite in the Centre, features the poem "love and the weather" by António Feijó.

Ponte de Lima received the first Charter, the March 4, 1125 by the hands of Doña Teresa.

Considered one of the best Mannerist cruises of the County, this monument of popular character, presents a great decorative wealth.