Alojamento situado em pleno centro histórico da cidade de Portalegre, a 200 metros do Rossio, com áreas de lazer e comércio circundantes. Dispõe de 15 quartos todos com wc privado, ar condicionado, televisão e wi-fi gratuito, onde poderá descansar num ambiente calmo e familiar. O pequeno almoço está incluído no preço do alojamento.

O Aqualuz é a denominação comum da oferta de alojamento, dividida por três torres, mais precisamente Mar, Rio e Lagoa, com as primeiras duas unidas por uma receção, zonas de convívio, Spa e piscina. No total, são mais de 300 apartamentos de diversas tipologias. Nas torres principais destaca-se o excelente trabalho de remodelação e redecoração.

The Cantinho da Figueira is a Centennial building, sheltered medieval walls housing the village of Castelo de Vide, in Alentejo. The interior of the dwelling is paved with wood, combined with the texture of traditional whitewashed walls, offering a variety of unique light effects. On the first floor floor, the room is marked by harmony and decoration by the nobility of the window, where you can enjoy a meal overlooking the Sierra de São Paulo, in the Natural Park of Serra de São Mamede.

The Hotel Rural Monte da Figueira is inserted into the manors of Peral with close to six thousand hectares, near the river Degebe. The entire space is connected to the game, since the interiors decorated with hunting motifs, recreating an environment characteristic of coutada up abroad, since the estate is inserted in the Tourist hunting zone of Peral and annexed, natural habitat of deer, wild boar, fallow deer, partridges and ducks. Visitors can thus concentrate on hunting and fishing.

A park with 26 hectares, located at the top of Avenida da Liberdade. Its current configuration is by Keil do Amaral (1945). It has a central strip covered with grass, flanked by a sidewalk in Portuguese pavement. Here you can also find various sculptures, a viewpoint, esplanade and a lake. Also noteworthy is the Estufa Fria, with a great diversity of plants from various parts of the world. There is also the Carlos Lopes Pavilion, used for conferences and concerts.

Also known as Jardim da Sereia, was once part of the fence of the monastery of Santa Cruz and dates back to the 18th century. The entrance to the Garden is through a triumphal arch, surmounted by three statues representing faith, hope and charity. The arch is still flanked by two turrets of Baroque decoration. The terrace of "The game" continues with its scenic waterfall in the background. The source of the Nogueira with a statue representing a Merman (popularly confused with a mermaid) by opening the mouth to a dolphin.

The family home of Almeida Garrett is a 17TH century building, similar to the place where you are. The central window of the first floor was boarded up and in its place was placed a large oval-shaped plate with festoons simulating Bay leaves, which reads: the House where he was born in February 4, 1797 João Baptista da Silva Leitão de Almeida Garrett-record to the memory of the great poet the City Council of this city in 1864.

The region of Faro has been becoming increasingly cosmopolitan. Continues to be more popular as a tourist attraction in the summer, but increasingly in other capital gains not only the beaches. Its picturesque historic centre, the Castle and the walls are visiting points that any searches. Also the asset level is very rich, like the chapel of our Lady of good hope, the Capuchos convent, the Cathedral of Faro, the Igreja da Misericórdia or even the Villa Romana de Milreu.

Romanesque temple rebuilt by Dom João I, in late 14th century, in fulfilment of a promise made to Nossa Senhora da Oliveira, for victory at the battle of Aljubarrota. The chapter room and two wings of the present Romanesque-mudejar elements cloister, which constitute the best set of this style, granite throughout the country. This church has the only set of Gothic painting of ceiling in Portugal. Inside, stands the seventeenth-century choir stalls with neoclassical backrests.

The construction began in 1610 as the Paço de D. Brites Lara (Palace), and in 1657 the Ordem das Carmelitas feminine convent, space where the church is integrated, was built. By the end of the XVII century the pulpits were built and the dressing in golden woodcarving began. In the next century the referred woodcarving was combined with azulejos (glazed tiles) from the Vital Rifarto factory. Already at the XX century, the building suffered repair works, being classified as National Monument.