Mannerist chapel probably built in 1570. In the 17th century it was covered with tiles and, in the 19th century, the main altar altarpiece was placed. A highlight is the set of 17th-century polychrome pattern tiles that cover the walls.

16th century temple with three naves, separated by pointed diaphragm arches, where a magnificent Manueline portal with a serrated arch flanked by twisted columns stands out on the main facade. The interior, also Manueline, is enriched with some modern elements, such as the Renaissance pulpit and the 18th century tiles in the main chapel.

House built between 1871 and 1875, with the aim of housing a laboratory and photography studio. Designed by architect Henrique Carlos Afonso, this house is a good example of Romanesque architecture. In the atrium, highlights are the carved ceilings and four photographs by Carlos Relvas.

Next to the Tagus River is this grand farm that belonged to the Templars of the Order of Christ. In this space, 16th century elements remain, such as the Manueline portal, and 17th and 18th century tiles. The group of buildings that make up it consists of a tower, a chapel, a cellar, a barn, a cloister and a palace.

Typically Ribatejo house, fully restored, where the writer José Saramago, winner of the Nobel Prize for Literature, was born.

House built between 1871 and 1875, with the aim of housing a laboratory and photography studio. The building, an expressive monument of iron architecture, deserves a visit in itself. Here you can visit some permanent and other temporary exhibitions. The building pioneered a transitional architecture that admirably fused art and technology in stone, stucco, iron and glass.

In this museum you can visit a collection of modern art, namely paintings and sculptures by Martins Correia. It has been located since 1982 in the building of the former Town Hall and Prison.

Built by Companhia Aliança (Funição de Massarelos) it is an important piece of "Iron Architecture". It presents numerous constructive and decorative elements that reveal the technical and plastic suitability of iron's potential. In the past it was a fruit market and now a place for exhibitions and other cultural events.

Palácio da Bolsa was built in the mid-19th century by the Porto Commercial Association. In a Neoclassical style, this building reflects the commercial flourishing of the city of Porto. All the compartments on the main floor offer details that prove the enormous sumptuous interest: in the furniture, in the chandeliers and above all in the ceilings, some made of valuable wood. However, all covered with a thin film of gold, the Arab salon is the room that best crowns the large investment of the 19th century Porto bourgeoisie.

Replica of an old barge, made in wood.