The church of the Capuchos was built at the beggining of the 17th century and has a façade with arcades and a niche, which is charactristic of the Capuchos architecture. It has an important set of 18th century tiles in the main chapel, representing each step in Saint Anthony's life, and on the side walls, representing Saint Anthony's death and the descent of the cross.

A church with a longitudinal plan and three manuelin style naves, with some gothic influence. Even though the typical structure and decoration are preserved in the main chapel, modifications of the 1800's are visible in the exterior, as well as even later modifications in the interior. One should notice the lateral wainscots and the triumphal arch with pattern tiles, dating back to the end of the 17th century.

The construction of the primitive church was initiated at th end of the 17th century. Considred insufficient for all the faithful that came by, it was enlarged from the middle of the 18th century until the first decades of the 19th century, at which time the façade was finished. The tiles on the walls of the main chapel and the vault, reconstructed after the earthquake of 1755, are of the 18th century. One should pay close attention to the interior with rococo sculptures.

Group of buildings disposed around a public park, making a block in the shape of an irregular triangle. It is one of the best units of ground arquitecture in the Algarve. Let us highlight the forecourt, composed of eight calcareous rock columns of toscane order which support six fallen arches structured into three vaults.

Built in the 16th century in the place of a hermitage where the sailors went to pray, it was deeply modified after the earthquake of 1755. The main chapel is decorated with a panel of the end of the 17th century, which belongs to the experimental baroque epoch. A stone image of Nossa Senhora da Esperança and yet another image of Santa Ana, credited to the sculptor Machade de Castro, ar part of this church's assets, that also includes paintings and images from several convents.

The romantic taste of the first owner is reflected in the beautiful landscaping that you chose for the construction of this Palace, highlighting the beautiful gardens that surround the space. Presents part of the tiled facades with diverse decoration and floral scenes. Inside, the highlight goes to the decoration, the furniture, the Chapel, the Hall, the visiting rooms and dinner, both tea pavilions and the home of the crib. The gardens in several plans, drawn like late-romantic, feature staircases, lakes and marble statuary and ceramics. Currently, works here a Pousada de Portugal.

A neiclassic place, with a rectangular plan, two floors and a long straight façade. One should notice the forged iron adornations in the balconies of the main floor, the frames of the stonework on the main floor with architraves with a triangular gable and the axis marked by a monumental portal.

A revivalist palace with an iregular plan, where one should notice the façades, totally coated with stonework, the main portal which gives access to the atrium with friezes and stucco medallions, some involving mural paintings, and the main hall with two paintings on the ceiling surrounded by stucco oval fringes. One should also notice the the rooms decorated by painted vegetalist friezes, festoons, landscape painted medallions and angels.

A restored mannor, dating back to the 18th century and located in the historical centre of the city. It belongs to Faro's Santa Casa da Misericórdia.

This 17th century building has a main façade which is classified that presents an indented gable with two winged dragons that have human faces, sided by two dolphins and, in the centre, a head of a black warrior with decorations. On the foundations, one can see inscriptions that indicate the aesthetic and decorative influences from Brazil.