The Archaeology Museum was created in 1920 and exhibits granite elements that range from pre-history to the late Modern Age, including a menhir, medieval coffins, romanesque church architectural elements and others.

This fourteen hundreds building has Pedro Esteves signature, listener from the family Casa de Bragança. It is composed by a central volume and two rectangular towers. It possesses an extensive façade sided by two towers and ogival windows, attached and rectangular. The gateway, the attached openings and the ground floor entrances reveals us its medieval character.

This is a transition temple presenting some influences of both styles, Romanic and Gothic with several transformations that took place during the 16th and 17th centuries. The doorway has four archivolts with eight small columns settled in capitals and the walls are covered with glazed tiles panels representing scenes from the Virgin life. It is worthy to mention the chapel of the Holly Sacrament golden carved from the seventeen hundreds and the main chapel with two valuable sculptures, one from Our Lady of Assunção in baroque style, and the other representing Our Lady of Franqueira.

The church with characteristics from the fifteen hundreds has on its entrance a porch with a low arch supported by two columns. On the inside it stands out the remarkable nave vaulted coverage, with crossed ribs and the glazed tiles panels from the seventeen hundreds that wrap two of the lateral chapels. From the primitive monastery from the 11th century it still maintains a magnificent Romanic doorway with two archivolts settled in four small columns with historied capitals.

The bridge is a gothic construction with a keep and three small towers. It links Barcelos and Barcelinhos. Its existence is referred in several documents from the 14th century. It was reconstructed in the 15th century by orders of D. Afonso, 8th Count of Barcelos.

Vestiges of the romanesque, gothic, manuelin, ranaissance, baroque and neoclassical stand out. A special note to the Mother Church, the Paço dos Condes de Bragança, the Church of Our Lord of the Cross and the Fountain of Campo da Feira.

Created in 1963 in result of the valuable donation of a collection by Joaquim Sellés Paes de Villas Boas, it was first named Regional Ceramics Museum and later Portuguese Popular Ceramics Museum. Later still, it became the Pottery Museum. It exhibits over 6600 objects from different regions, Portuguese speaking countries and a few from abroad.

O Galo de Barcelos é um dos ex-libris incontornáveis do artesanato português. Normalmente produzido em barro, está relacionado com uma lenda que narra a milagrosa intervenção de um galo morto na prova de inocência de um homem acusado injustamente de um crime.

Mannerist chapel with centralized plant and alpendrada, characteristic for its verticality. Inside the decor is in Baroque carved altarpiece, national style.

This is a Romanic rural church but it has the doors and main chapel window already in Gothic style. It was founded in 1152 by Queen D. Mafalda. From the Romanic period it only maintains traces, namely the corbels and the portico with columns and decorated capitals. It possesses a rectangular tower and crowned by pyramidal merlons.