XVIII century work with a magnificent baroque portal standing out. The front’s simplicity opposes to the decorative abundance inside, where the ceilings painted by the Lisbon artists António Simões and Vicente Nunes are worthy of note, as a well as a huge painting portraying D. João V, by Domenico Duprá.

Este pátio histórico deve o seu nome ao conjunto de edifícios em redor, onde funcionou, desde 1566 e até à sua extinção, em 1821, o Tribunal do Santo Ofício. Integrava ainda o primitivo Colégio das Artes e atualmente alberga o Centro de Artes Visuais.

One of the loveliest city parks in Portugal, filled with gardens and luxurious trees. Located by the Mondego river, there are some statues and a nice bandstand by the architect Silva Pinto.

The Almedina arch was part of the medieval walls, going back to the XI century, as the Arabian toponym that means “the city” indicates. Nowadays it is the entrance to the ancient Coimbra, where you may observe a sculpture from the João de Ruão workshop.

The Choupal Woods is one of the loveliest spots in town, with quite unique plant and animal species in Portugal. The Horse Riding Centre of Coimbra is located here.

The Bottanical Gardens were created by the Marquis of Pombal in Coimbra. It is rather lovely and has thousand of scientifically interesting species, bothe local and exotic, besides decorative elements such as tanks and fountains. The guided tours include a part of the woods, the cold hothouse, the topical hothouses and the garden's central square.

Monastic set with an emblematic portal. Inside are worthy of notice the manueline arched roof, the main-chapel, the sacristy, the Sala do Capítulo, the S. Teotónio Chapel and the cloister of Silence.

From the set stand out: the Porta Férrea, the Via Latina, the building of the former S. Pedro College, The Joanina Library, The S. Miguel Chapel, The Sala dos Capelos, the Sala de Exame Privado, the tower, the Gerais, and the Religious Art Museum.

Work done between the second half of the XVII century and the first half of the XVIII century. The church has a choir and a main chapel. The primitive tomb of the Rainha Santa, made by Mestre Pêro, is one single carved limestone block

The monastic set (church, cloister, and bowery) has great cultural and architectonic value. The church is an exemplar of the mendicant Gothic. Worthy of notice are the notable Hispanic Arabian glazed tiles panels, the rose-window at the occidental front and the magnificent renaissance arch that comes into view under the arch of the epistle nave.