Baroque and Rococo Chapel, longitudinal plan with an octagonal nave, a rectangular chancel and a vestry built in the back façade. The main façade is torn by a portal with double frame clipped and with contracurvada cornice, truncated by a stone with the date inscribed 1769. Inside, the chancel altar and Rococo side altarpieces.

Mannerist Chapel of longitudinal plant, consisting of a unique space and with homogeneous coverage in wood. Believed to have been built between the 16th century and the 17TH century. In the interior, especially the Mannerist altarpiece in painted wood.

Mannerist Chapel of longitudinal plant consisting of a nave, a chancel lower and narrow, adossadas, a Bell Tower, a sacristy and an attachment. Featured in the main façade, to three tile panels depicting our Lady, Nossa Senhora da Conceição and Santo António.

Neoclassical urban House, rectangular in plan, with two floors in a single volume with cover on roof of four waters. The facade features a terrace on pillars and an Iron Guard with access by two Bay Windows.

Former convent of Santo António capucho, consisting of a church and Conventual dependencies. The Church presents a longitudinal plan consists of a nave and a narrower chancel, with toppings differentiated gabled roofs. The current building is very damaged and stripped of decoration, which was moved to nearby parish churches.

Building of the former Court of Sherem below, with two storeys of rectangular plant and two bodies adossados the left side façade. Inside is a room on the second floor, with a ceiling Johannine, with representations of the passion of Christ.

It is a very tall, illuminated chimney, built in brick.

The original pillory (this being just a replica) had surmounted by stone octagonal shaft and Crown. Currently, only a few fragments remain of the original.

Bridge Plan Board with a slight easel, based on fifteen arches: three belonging to the 18th-century building and twelve reform 1500s. Also features iron guards and cobblestones.

Medieval and Renaissance bridge, with double contracurvado Board protected by guards of stonework on easel. Is supported by five arches, two back perfect and three downed arc.