This Padrão was rose by orders of D. Afonso VI as a celebration from Linhas de Elvas battle. It was constructed in white marble from Estremoz and it is formed by a Tuscan column settled above a square pavement with three steps.

Source positioned at the center of the square, in grey granite, flanked by pinnacles also in granite, bound by iron chains. Has a spout on each side of the square column, surmounted by a sphere. The sink where water falls features a circular format.

White marble fountain, composed of templete with statue. Is engaged by a grid, beyond pinacular cover surmounted by a sphere. Its construction was due to Pero Vaz Pereira.

This pillory is settled in a three steps pedestal, it is composed by a circular base with two frames, flat column with frame on the centre and prismatic capital. It is finished by a small sphere.

Source located opposite the Parque da Piedade and the Church of the Lord Jesus da Piedade. The sober style, typical of the time of construction, and the 3 blue and white tile panels representing different scenes: "Prudence", "abundance" and "Storm", respectively. The sink is rectangular and has two water spouts.

Pedestal with five steps with polygonal base where it is settled the pillory composed by twisted cylindrical shaft and prismatic capital. The column is decorate with small incrusted semi- spheres.

The class for this Monument is religious, with Baroque features: the angels, the volutes on the façade and the drapery on the marble altarpiece, besides the blue and white glazed tiles. Its construction was done by the hands of Thomaz de Barros (person who puts the glazed tiles) and António Sequeiro (the painter). The oil paintings should also be pointed out.

This church belongs to the sanctuary with the same name. The church which nowadays is visible on this avenue replaced a chapel constructed in 1737. Among many features, it is worthy to mention the glazed tiles, from the end of the 18th century, decorating the walls; the two marble altars in several shades, the connection between the nave until the main chapel, and the altarpiece.