Mountain Sanctuary indoors, with baroque chapel. In the surrounding area, covered with underbrush, pines and olive trees, spread a few tables, which served as a support to the Romans.

Building composed of three towers of different dimensions, attached to each other by the houses. This set, which is structured from a 16th-century tower, is a good example of how a rural noble home has developed from a defensive Tower. It is surrounded by walls ameados. In the case of private property, it is not possible to visit the building.

Two-floor building of the mid-17th century, with a monumental facade crowned by battlements. The upper floor, fairly long, is torn by seven ornate Windows in Manueline style.

Conventual Franciscan church, Mannerist, plant structure and longitudinal nave. Much remodelled in the 18th century in the Baroque style.

House with features of casa rural minhota, which consists of three rectangular bodies fit together around a central space consisting of a threshing floor. Casa da Anta is a copy of 17th century classical architecture. It is located on private property, not being possible to visit.

Building composed of three bodies, a recent construction, and two oldest, a 19TH century datable\/XX, where the current Auditorium, and the old jail, built in the 17th century. Was greatly modified when it proceeded to adapt the library and Municipal Museum of Walks, but there are the facades of the old jail and an annex building with residential features.

Neoclassical style building, rectangular in plan and two floors. It was built between 1878 and 1880, and refurbished in the 20TH century. Later, in the 19th century, was acquired by the municipality of Caminha for the installation of various services.

Temple which is characterized by its simplicity, almost no decoration. In the nave of the chapel you can see frescoes from the 16th century.

Calvary with 14 crosses, of great simplicity, based on pedestals with inscription corresponding to the respective step of the Via Sacra. The access is made by wide stoop composed of twelve flights of eleven steps. The chapel was moved in the early 18th century, but retained the Mannerist moth.

Baroque chapel of longitudinal plan with nave and chancel, rectangular and with altars in Baroque and neoclassical painted carving.