16th century architecture, like other rural churches of Alentejo, is isolated and provides an admirable landscape. Is simple and still retains the murals, representing St. Francis receiving the stigmata. There are two side altars, one of Nossa Senhora da Graça, another of s. Caetano. The image of the Patron Saint is the Center.

This medieval cistern of wealthy proportions dating from the 14th century and is by the door of the hole. Function was to collect and store rainwater and was the main reservoir that supplied the population. In 1950 went on to serve only for domestic watering, given the implementation of the public water supply system, but continues to be a significant architectural testimony of rainwater.

Bullring peculiar, because it is inside the castle of Monsaraz, where still today are bullfights.

This is the current pillory hence that the former one was lost in the 1755 earthquake. It is inspired in the classic art and was sculpted in white marble; the base is rectangular and has a worked pedestal. The shaft is Tuscan and the capital is composite and its three steps have different sizes. It symbolises the Municipality jurisdiction and autonomy.

Is another of the four doors which allows access into the interior walls amaze yourself the castle of Monsaraz. Each door is composed of granite, red clay and lime mortar of Gothic arch, like the Door of the village, such as the port of the village.

This source is located at the center of a broad, on the face of the road and a few houses. The fountain was completed in 1422. The fountain was built in the 18th century and in 1930 were made great works to reform this 15th-century building. Its simplicity makes this unique monument, beautiful and admirable.

Is one of the distinctive elements of Monsaraz and constitutes the main access to the village. The door in warhead has, on top of a tombstone on the consecration the reign of d. João IV in 1646. The campanil's watch that features may have been built in the reign of Dom Pedro II. Cast bronze Bell in 1962.

Chapel built in the 16th century, under the protection of the Archbishop Alexander of Braganza and with the contribution of the architect Francisco de Mora, responsible for the plant. Its main features are the altar in gilt in the chancel, nave of rectangular plant and its simplicity, given the severity of manners and the conduct of the "Discalced Carmelites". In January 2005 the intervention works were initiated for recovery and boosting the building multipurpose cultural, tourist and social level.