Parish temple with architectural components from the Manueline period. Highlights are murals of mannerist period.

Temple works during the 17th century shows like floor, demonstrated in great austerity of the vaults and domes, as well as in the Bell Tower. NINETEENTH century remodeling note on altarpieces that followed an eclectic taste, with popular elements and Baroque or classical reminiscences.

Church with nave and chancel, with remodeling that denotes the late Baroque. Also the reconstruction at the beginning of the 20th century shows the eclectic character.

Chiesa Madre (mother church) where are visible several interventions such as neoclassical, Baroque and Mannerist. The Mannerist and Baroque coatings portal of tiles.

Small temple with only one nave.

Chiesa Madre (mother church) with Greek cross floorplan. Experts say that the building and its decoration have been considered as a coherent whole. So, being, managed to articulate the neoclassical language with the regional building tradition.

This church was rebuilt on the ruins of a more ancient temple, and so has the influence of several styles like Gothic, Manueline, Mannerist, Baroque and neoclassical. Is in the richness of seventeenth-century and eighteenth-century tile decoration that highlights the Baroque.

Manueline, mannerist architecture Temple, popular and vernacular. Highlighting the ship's Vault murals of the mannerist period.

Temple which makes high interpretation of Manueline current in force between the 15th and 16th centuries.

Ermida manuelina architecture and Baroque folk. Used for pilgrimage. The chancel has covered by rib vaulting of warheads. Is the altarpiece which stands out the plastic language of the Baroque.