Late-Baroque religious monument, comprising a nave, chancel, sacristy, bell tower and 17th century chapel. The bell tower and the finishes on the main facade are made of granite and, in the center, is the clock. The interior preserves a remarkable collection that it consecrates: the painting on the chancel ceiling, with the patron saint being tortured, and the Morgado chapel, where there is a Mannerist altarpiece.

Late Renaissance temple from the transition period to the Baroque. It has a porch supported on Tuscan columns, all made of granite. The 18th century altarpiece of the Divine Savior, the traces of frescoes on the walls, the roof of the nave and chancel and the ceiling of the sacristy in painted coffers stand out.

Simple religious monument, consisting of nave, chancel and sacristy. The main facade features, in the center and at the top, a double bell tower and, in the upper right corner, a clock. Inside, the triumphal arch covered with carvings and the altarpieces of different styles stand out, with the collaterals being Mannerist and the nave's side altarpiece neoclassical. The nave's roof represents the Evangelists and the Apostles.

Funerary-type megalithic monument, composed of a chamber, nine supports and a covering slab. On one of the pillars there are traces of red paintings. Two fragments of manual pottery and a flint knife were found in the rubble.

Three dolmens with their supports standing upright, supporting the lid. One of them is known as Moura's House and shows three of the pillars painted with stylized representations of human figures and a snake.

Ruins of the walled town remain from the castle of Carrazeda de Ansiães, including the S. Francisco Door, the Fonte Vedra Door, the S. João and the S. Salvador Door, flanked by two towers, and the Keep. Inside the walls there are remains of buildings, including the Romanesque church of S. Salvador.

Romanesque church with a single nave, highlighting the main facade with a truncated gable, portal with archivolts decorated with phytomorphic and geometric motifs and a profusely decorated tympanum. In the nave there is a small museum nucleus where there are fragments of the pillory of Ansiães and sepulchral stelae decorated with solar symbols, Maltese and Templar crosses and Jewish stars.

19th century religious monument composed of porch and rectangular Chapel. Of small dimensions, this chapel was quite changed, but your porch highlights the importance of this type of construction to passersby who followed northwards. The interior conserves granite flooring and cemented. All around the country there are granite bench seats.

This building has two bodies: nave and main chapel. The church presents a façade with a lintel main door and framed jambs. It stands out the strong fitomorphic application that surrounds it. In the beginning of the century it was inserted a watch. It possesses a bell tower with a clear marking of two registers in which the bell is in the last one. The tower is topped by a balustrade and roof in the shape of a needle. On the main chapel it stands out the lateral walls displaying three windows with an interesting plastic work. The floor is …