Manueline church with a longitudinal plan consisting of a single nave, a chancel taller and narrow and high and a vestry located near. It was probably built in the early 16th century, suffering reforms in the following centuries. Highlighting the pulpit, built in 1685.

Backrest source built in 1896, to present a simple rectangular plan with a backrest of contracurvado profile, with two Tuscan pilasters at the sides and a rectangular tank adossado to a wall.

Diving source of primitive build century, rebuilt in 1927. After destroyed by the population in 1974, was again rebuilt in the TWENTIETH century 80. Features a rectangular plan, with a fall in arch down which gives access to the water.

Hospital of rectangular plant composed of a central body and two wings, with different toppings on gable roofs in the central body and of three waters in the side wings.

Space consisting of the main house, a chapel, agricultural attachments, an oven and a dovecote. The main house, of type chalet, has simple rectangular plan with one and two floors and a mansard with two floors. The chapel features simple lines and a domed cover. It was built between the 19TH century and the 20th century.

Diving fountain probably built in the 17th century, which is embedded in a wall. Features a round arch and, inside, barrel vault. On the left side, there is a fountain of rectangular plant with straight backrest.

Diving fountain with ceiling coverage plan, probably built in the 17th century. It is located near to a wall and features a protrusion at the base to support containers.

Diving source, probably built in the 16th century, consisting of a simple rectangular plan with two spans in round arch which give access to the tank. The posterior surface presents a straight backrest with two circular spouts.

Set of three sources (originally there were four), built between the 16th century and the 17TH century. Are sources of diving with go back on main façade, giving access to the interior, where coverage appears in vault or flat coverage. One of the three sources presents more elaborate elements of Mannerist influence.