A church rebuilt in 1539, whose façade is revested by 19th century tiles. The high altar received, at the end of the 17th century, a mannerist retable of great value, where the central figure is that of Our Lady of Misericórdia. In the close by chapel, a special note to the image of Our Lord of the Passos, of the end of the 18th century.

A convent founded in 1590 by command of a noble dame of Bragança, that occupies the houses that belonged to her. The stone coats of arms in the façade of the church are still visible. A special note to the domed nave's ceiling, with paintings by Manuel Caetano Fortuna, and the main chapel with a retable of 1721 and the ceiling.

A monumental temple that stands out for its symmetry and proportion balance. The main façade has a magnificent portal, topped by a large rose window, and sided by two bell towers with a pyramidal ending. In the interior, baroque, a special note to the altars in polychrome and golden carvings.

Source of backrest consisting of a rectangular tank, with eye-catching gable cornice.

Mannerist and Baroque church consisting of a longitudinal plan with three aisles, a chancel and narrow and a double Bell. Has medieval origin, having been reformed in the mid-18th century.