Church dating from the 16TH century, the present a main facade torn by a downed arc portal, surmounted by contracurvada cornice. Also features a bell tower with two records, one blind and the other torn by a ventana back perfect.

This church presents a main façade with a Bell Tower and a portico back perfect.

This church presents a main facade framed by pilasters of Ashlar and torn by an axial rectangular portal. Also features a steeple ripped by two ventanas and crowned by the cornice, with a cross and pinnacles.

Mannerist and Baroque church with a longitudinal plan consisting of a nave, a narrower and lower chancel, a sacristy, an annex and two bell towers. It was rebuilt in the 18th century on an old Romanesque temple, of which no traces remain.

Mannerist and Baroque church of longitudinal plant consisting of a ship only preceded by a porch, a chancel narrower and adossadas, a sacristy and a Bell Tower. It was built in the 17th century, but is too tainted by nineteenth-century works.

Church of longitudinal plant consisting of a nave, a chancel narrower and lower, a sacristy and a separate Bell Tower located near the set. It is not known the correct date of construction, knowing only that it was between the 17TH century and the 18TH century, after being restored in 1960.

This church presents itself framed by pilasters and torn by an arched portal down.

Church of longitudinal plant consisting of a single nave with chorus-alto, a narrower chancel and a vestry and a Bell Tower adossadas. The interior featured for the Rococo altarpieces and for the font on the choir-high.

18th century country house of rectangular plant and two storeys, with a chapel located near the right side. It was built in the late 18th century by Dr Joaquim Maria Taborda Hawk Tavares. Abroad, stands the stone weapons and, inside, subtribuna painting, with false marmoreados and paneled.

Late-Gothic chapel consists of a longitudinal plan with a rectangular nave and a square chancel. The portico of the Chapel, attributed to Nicolas Chanterenne, boasts two medallions representing St. Peter and St. Paul. Inside, are the nine paintings of the altarpiece of three dies and tiled flooring enxaquetados 16th century, whites and Greens.