This Mannerist church is composed by one only nave and four lateral chapels. It was founded by Dona Isabel in the 13th century and rebuilt in 1758 (after the earthquake in 1755). In 1910 it was abandoned and in 2001 it underwent restoration work.

The single ship temple rebuilt in 1595 and rebuilt after the earthquake of 1755. The blue and white tiles enxaquetados, 17th century font (from the Church of the Valley), the gilded, beaded ceiling paintings polychrome, the gravestones and ancient sculptures and paintings of the high altar.

Convent built in 1760 on the ridge of the serra de Montejunto, which currently only rubble. Does not appear to have been done by the reform of the Dominicans didn't go forward.

According to historical documentation, it is a medieval lookout with subsequent amendments. Currently, there are only a few remains of the ancient castle.

Franciscan convent of Mannerist, Baroque and Rococo architecture, formed by the Church, the ancient Conventual dependencies, the cloister, the Gatehouse and the cafeteria. Highlighted by a set of monochrome tiles dating from the 17th and 18th centuries.

Castle of rectangular plant, with two angles formed by towers. Was built by Dom Dinis in the 13th century. In one of the entrance doors is the Royal Crown and coat of Dom Manuel. Currently, only cloths of wall, some of whom integrated into buildings, the Door of the conception and the Tower of the Cuirass.

First convent founded in Portugal, in 1222 by order of Doña Sancha, daughter of Dom Sancho I, although deeply damaged by the earthquake of 1755, there remain some elements of earlier times. In the 16th-century cloister, the Manueline portal, very ornate, which gives access to the Chapter House.

The sepulchral monument where jaz Damião de GOIs, a Portuguese historian who distinguished himself in the Renaissance in Portugal, located in the chapel on the side of the Epistle of the Church of St. Peter. Of sober lines, stands a frame with Latin description.

Seventeenth-century chapel which originally belonged to a group of buildings of the Oratory of Saint Catherine, designed by Fr. Andrew of San Bernardino. The façade has straighter Dick portal surmounted by high window of appliance rusticated and finished in triangular pediment and a small bell. Inside, the gilded altars, a pulpit from the 17th century, and a few pieces of eighteenth-century imaginary.

Funerary chapel of quadrangular, dating from the 16TH century. Suffered in 1940 restoration works, reusing some Renaissance elements. You will find here the tomb of Damião de GOIs.