Simple Church with marble edge.

This construction from the 15th century has undergone some improvements. The portico which dates from the 16th century, it is an example from the manueline – mudejar style. This church is composed by one only nave with a Latin cross plan. On the inside of the building, one stands out the carving and the painted panels.

This church has a rectangular plan and it is covered by polychrome glazed tiles from 1660, a bell ringer tower and an apse articulating four chapels. IT preserves the Manueline Calvary in marble and several sculptures. The main chapel possesses coverage in lancet vault with corbels decorated by wall paintings. The main altarpiece is with composite columns articulating niches filled with covered foot with the respective images.

Church, mainly granitic construction, having the ends male figures like newts. The Bell Tower has three bells in a row.

Church with a small elevated atrium and glazed tiles panels on top. Half of the façade is mad of granite.

This church was built in the 18th century Rococo style.

This oeuvre was done by Manuel Pires on the 16th century. The façade crowning was done on the 18th century. The inside is composed by three naves.

Church belonging to the College of the Holy Spirit, classified as a national monument. The first stone was laid in 1566, giving rise to a Mannerist style building, typically plant Jesuit. The front of the Church has a portico with seven round arcades. The ship is only in a Latin cross plant, with chapels and enriched by gilt.

This church underwent major changes in the 18th century, this time the main façade with a portal. It is a church of a single nave, wide and has no chancel. Has tile and oil paintings of Francisco Xavier de Castro. It is worth noting the high altar from the 17th century.

This church was built above a chapel from the 15th century from which there still are two gothic doorways. On the inside it stands out the paintings, the altarpiece, the carved altar and the glazed tiles.